Posted by Elizabeth Stacy | Posted in Foto Care Interviews
Posted on September 30, 2010
Foto Care is pleased to present an exclusive interview with National Geographic photographer Ira Block. In the mid 1970’s Ira began working for National Geographic Magazine and later his work was also published in their other publications Traveler Magazine and National Geographic Adventure. These assignments have taken him to places all over the world where he was able to expand his vision and giving him a global awareness.
Tell us about yourself and how you got into this field?
I started taking pictures in High School, and my dad built a darkroom for me in our basement in Brooklyn. When I went to college at the University of Wisconsin, I began working on the school newspaper. Then I was hired by the wire services and local newspaper to cover news and sports in Madison, Wisconsin. This time frame was during the Vietnam War and there was a lot going on. I spent more time taking pictures than going to class.
What was your break out job that helped launch your career?
I was shooting for Sports Illustrated in the 1970’s. The editor asked me to photograph a softball game that Jet’s quarterback Joe Namath, playing in, in Central Park. The next day he was indicted for gambling, and my photos of him in flowered bell bottom pants were the most recent and least typical of him.
What do you draw from for your creative inspiration?
I draw from my travels around the world, interactions with other cultures and immersion in varied geography. These experiences have enlarged my vision and given me a global awareness.
What equipment are you currently using to produce your work?
I use Canon Cameras, Profoto lights, Apple Computers, and Epson printers. The canon cameras are very reliable. It’s rare when they malfunction during a shoot. Also my 5D MKII’s produce great images at high ISO. I also find the cameras easy to use and fast to work with- though this may be due to my familiarity from having worked with them for so many years. I like the Profoto strobes because the heads take a lot of different accessories and they produce a very nice light. The Profoto packs are light, and I really love working with the battery units when I’m moving fast on location. And as I’m travelling on airplanes 99% of the time for my work, they travel very well. I’ve never arrived on location with a broken pack or head.
What equipment would you most like to own but don’t yet have?
A digital medium format back because in some of my more controlled shoots. I think 16 bit color would really give me a great range of tonal quality, and of course files that would be capable of producing some really large prints.
Where is your work heading next? Where do you see yourself in the future?
I’m looking at images differently now, trying to break away from what I did years ago. I think it’s important to stay up to date with the times and trends, though it isn’t always easy. One tends to see images with the vision that you acquired when you first started being a photographer, and I want to continually grow.
Now that Video is working its way into our market, do you see yourself stepping into the Hybrid Video market in the near future?
I’ve done a few videos already, and I love the richness sound brings into the visual world. I don’t see myself operating the camera as much as producing and directing video. There are a lot of videographers who have spent years working with video cameras and hybrid DSLRs, and they have a much better hands on than I do.
How did you first hear about Foto Care and what keeps bringing you back?
Several photographer friends told me about Foto Care. And since it was only a block from my studio I stopped in to check it out. I come back because of the people – it’s great being able to talk with knowledgeable folks, especially in our digital times. Things are changing fast, and it’s hard to be up to date all the time when you’re busy working. At Foto Care I can get all the information I need. And if you get there at the right time, you may be able to score some doughnuts.
We would like to thank Ira for this opportunity to speak with him about his work. You can see more of Ira’s photos at www.irablock.com.




















