The power of Nikon and RED in the ultra-compact ZR—a groundbreaking 6K, Z CINEMA camera designed for filmmaking of all kinds. Discover the fusion of RED color science, professional 32-bit float audio and advanced Nikon autofocus all in a full-frame stabilized body. Plus, all the advantages of the mirrorless Z mount, including compatibility with a vast array of NIKKOR and third-party* lenses.
• Bright, large display. Built-in 4-inch Vari-angle display with touch control—DCI-P3 color gamut, 1000 nit brightness and 3.07 million dots resolutions.
• 32-bit float audio. Wide dynamic range audio recording built-in.
• Easily integrated into RED post-production workflow. Footage shot in REDCODE RAW (R3D NE) unlocks the same color space (REDWideGamutRGB) and Log curve (Log3G10) as RED cameras.
• Custom in-camera LUT support. Load up to 10 LUTs into the ZR and preview the look in real-time via the built-in monitor.1
• Dual base ISO. More options for base ISO sensitivity: 800/6400 for both Log3G10 and N-Log.
• Built-in stabilization. Powerful built-in stabilization with any lens—up to 7.5 stops.2
• Advanced Nikon autofocus. 9-subject detection autofocus, with automatic tracking of people, animals and vehicles—powered by deep learning.
* Compatibility with F mount NIKKOR lenses is supported via the optional FTZ II Mount Adapter, sold separately. When using non-Nikon adapters with third-party lenses, some functions may not be supported.
117-point, 33-point, 65-point LUTs are supported at frame rates of 24, 25, 30, and 60p. Any loaded LUT data is processed as a 17-point LUT within the camera.
2 Based on CIPA 2024 Standard. Yaw/Pitch/Roll performance when using the NIKKOR Z 24-120mm f/4 S (telephoto end, NORMAL mode).
